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Provincializing Weimar Culture

On 25-26 April 2024, Utrecht University hosts the international conference “Provincializing Weimar Culture Global and Local Perspectives on Interwar Germany”, with support from the Duitsland Instituut Amsterdam. This conference brings together scholars advancing new approaches to the cultural history of the Weimar era. It takes its inspiration from Dipesh Chakrabarty’s call to “provincialize Europe”, in the sense of historicizing and criticizing modernity’s claims to universality to uncover its colonial heritage. In this vein, the scholars approach the subject from a transnational or postcolonial perspective and in its global context. However, the conference also employs the idea of “provincializing” in a second, more literal sense, focusing on cultural life outside of Berlin and other urban centres of Weimar Germany. These two perspectives – the global and the local – are not mutually exclusive, but rather dialectically intertwined.

More information here.

Pamela Hutchinson on the History of Silent Film

The journalist Pamela Hutchinson is regularly writing about the  history of silent film and its stars. For her column “Silent but deadly!“, appearing fortnightly in The Guardian, she has covered Clara Bow, Lotte Reiniger, and Rudolph Valentino. She also writes for Sight&Sound and Silent London. An interesting resource for any scholars of silent cinema!

Festival Mythos Berlin

Mythos_835x300In March, the Konzerthaus on Gendarmenmarkt is hosting Festival Mythos Berlin, a series of concerts and events celebrating 1920s Berlin. The highlight of the festival is the European premiere of Marc Blitzstein’s 1928 one-act opera Triple Sec. Die Sünde des Lord Silverside.

Unfortunately, the organisers have missed the opportunity to include the Konzerthaus’s own role in Weimar history as the backdrop of Gustaf Gründgens‘ career in the early 1930s – the subject of Klaus Mann’s infamous novel Mephisto.

Journal Review: German Studies Review 2/13

gsr.36.2_front_smTwo articles in the current issue of the German Studies Review approach Weimar politics and culture:

Carolin Dorothée Lange: “In diesem Sinne hat jede Zeit, hat jedes Volk die Führer, die sie verdienen” — Zum Politik- und Politikerbild des republikanischen Bürgertums in der Weimarer Republik.

Michael P. Ryan: Fritz Lang’s Radio Aesthetic: M. Eine Stadt sucht einen Mörder.

European Film Gateway

efg_logoThe European Film Gateway is a single access point to films, images and texts from selected collections of 24 film archives across Europe: ‘The EFG Portal gives you quick access to hundreds of thousands of film historical documents as preserved in European film archives and cinémathèques: photos, posters, programmes, periodicals, censorship documents, rare feature and documentary films, newsreels and other materials.’

Soviet Film in Weimar Germany

rotetraumfabrikAccompanying the focus on Soviet film at last year’s Berlin Film Festival, this collection of essays on the Russian production companies Meshrabpom and Prometheus shines some light on the neglected topic of film collaboration between Soviet Russia and Weimar Germany.

 

Günter Agde and Alexander Schwarz (eds.): Die rote Traumfabrik. Meschrabpom-Film und Prometheus (1921–1936)

>> review (in German)

1920s Berlin in London

meow-meow1-credit-karl-giant-LST075625If you are in London this weekend, make sure to visit the The Rest is Noise festival at the Southbank Centre. Saturday and Sunday are dedicated to ‘Berlin in the 20s & 30s’, featuring plays, talks, lectures, workshops and films, including a rare production of Brecht and Weill’s Songspiel. The Guardian has more info.

Weimar Cinema at Berlinale

220px-Berlinale.svgTomorrow, the Berlin Film Festival opens its doors and Weimar cinema will again play a central role in its programme. This year’s Retrospective section, curated in cooperation with New York’s Museum of Modern Art (MoMA), is dedicated to the ‘Weimar Touch’, the international influence of Weimar film after 1933 on such celebrated films like Casablanca, Hangmen Also Die! and Some Like It Hot. Continue reading “Weimar Cinema at Berlinale”

Cabaret Berlin blog

cabaret-berlin-bannerBrendan Nash runs an interesting blog ‘exploring the entertainment of the Weimar era’, covering topics like the 1920s roots of David Bowie’s famed Dschungel on Berlin’s Nürnberger Strasse or the history of the Titania-Palast, Weimar Berlin’s grandest cinema. He also organises walking tours ‘through the Schöneberg of the late 1920s as seen by Christopher Isherwood’.

Journal review: German Life & Letters, 1/2013

coverIn the current issue of German Life and Letters, Kristen M. Hylenski analyses Valeska Gert’s four autobiographical texts, Mein Weg (1931), Die Bettlerbar von New York (1950), Ich bin eine Hexe (1968), and Katze von Kampen (1973), revealing ‘the ways in which Gert revisits and revises her life story. While each text recycles material from the previous ones, Gert continually reframes her narrative according to the changing audiences and historical contexts. Continue reading “Journal review: German Life & Letters, 1/2013”

Martin Miller Archive opened

cropped-header-possible3For anyone interested in Weimar-era theatre, the IGRS has just opened the private collection of Martin Miller to interested researchers. The on-going archival process is documented in a blog: ‘The Martin Miller and Hannah Norbert Miller collection is one of a number of important archives relating to German theatre and exile studies held by the Institute of Germanic & Romance Studies (IGRS) at the University of London. Continue reading “Martin Miller Archive opened”