The comparisons between Donald Trump’s political success and Hitler’s rise, so numerous even before the election, have intensified since the former won the electoral vote in November 2016. Historians have weighed in with differing opinions and analyses about the two phenomena. This is an on-going collection of articles on the topic, all suggestions welcome! Continue reading “Trump and Weimar Germany”
The Oxford Handbook of the Weimar Republic is a multi-author survey of German history from 1918 to 1933. Covering a broad range of topics in social, political, economic, and cultural history, it presents an overview of current scholarship, and will help students and teachers to make sense of the contradictions and complexities of Germany’s experiments with democracy and modern society in this period. The contributions emphasize the historical openness of Germany’s first republic, which was more than just the coming of the Third Reich. Continue reading “The Oxford Handbook of the Weimar Republic”
Richard Evans discusses the parallels between contemporary British politics and Weimar Germany in this article in Prospect magazine.
Interdisciplinary Symposium May 27-29, 2020
King’s University College at Western University, Canada
King’s University College at Western University invites abstract submissions for an interdisciplinary symposium aimed at researchers engaged in the political, cultural, and social legacies of the Weimar Republic. Continue reading “CfP: Weimar 2020”
The Wiener Library’s summer exhibition showcases the remarkable work of German Jewish photographer Gerty (Gertrud) Simon, and features many of her original prints from the 1920s and 1930s. Simon was a once-prominent photographer who captured many important political and artistic figures in Weimar Berlin, including Kurt Weill, Lotte Lenya, Käthe Kollwitz, Max Liebermann and Albert Einstein. In the 1930s, as a refugee from Nazism in Britain, Simon rapidly re-established her studio, and portrayed many significant individuals there, such as Sir Kenneth Clark, Dame Peggy Ashcroft and Aneurin Bevan. Continue reading “#FindingGerty”
WEIMAR: THE ESSENCE AND VALUE OF DEMOCRACY runs until September and highlights the central challenges in politics and society faced by contemporaries of the Weimar Republic. The exhibition is expressly addressed at “current debates about the crisis of liberal democracy” and features a Democracy Lab, aiming “to build awareness for the fact that this form of government lives on the participation and engagement of all citizens, is marked by the continuous negotiating of different opinions and positions, and in this way is constantly able to further develop itself.”
Sabina Becker, expert on the “New Objectivity” movement and the long-standing editor of the Jahrbuch zur Kultur und Literatur der Weimarer Republik, has published a new cultural history of the period 1928-33. Experiment Weimar presents the culture of the Weimar Republic in its manifold forms, from sport and mass culture to avant-garde theatre and modern art, seeking to explain these aspects not with the endpoint of National Socialism in mind, but with WWI as its starting point.
The New Yorker has published a short text about the brilliant 1920’s flapper cartoons by illustrator Barbara Shermund, reflecting a changing image of femininity: “The women in Barbara Shermund’s New Yorker cartoons seemed to be in charge of their lives and talked about their dreams and ideas. They were confused, too, because the roles for women were changing, often not fast enough.”
In 2019 Germany celebrates 100 years of Bauhaus. The centenary year is packed with events and exhibitions, including the opening of two new museums, a Bauhaus festival, and even a major TV series based on the romantic relationship between Walter Gropius and Dörte Helm.
There is a dedicated website listing all events all over Germany, from Ulm to Weimar.
Last year, 75 years after is ceased publication, the legendary Weimar magazine Die Dame returned to German newsstands. Since then, the magazine has been published only three times, with the fourth issue due to appear on 22 November.
According to the Axel Springer publishing company, which took over all Ullstein titles after WWII, the magazine combines ‘the elegance and intelligence, the spirit and extravagance of 1920s Berlin with the attitude and culture, the style and the fierceness of today.’
The German Bundesarchiv (Federal Archives of Germany) has launched the portal Weimar: Die erste deutsche Demokratie. The portal is a one-stop-shop for all Weimar-related sources held by the Archives, from government records to sound recordings of Ebert’s speeches, posters, newsreels and historical maps.
The HREF blog, run by the GHI Washington, has interviewed Vera Zahnhausen, the project leader of the portal at the Bundesarchiv, who explains the various uses of the new website.
The Haus der Weimarer Republik – an initiative that seeks to build a permanent museum and information centre about the history of the Weimar Republic – has launched a portal for the centenary celebrations, including a collection of all related celebrations and events.
During the anniversary year, they also present a primary source covering each day of the tumultuous founding of the Weimar Republic 100 year sago.
The Humboldt University Berlin, the Centre for Contemporary History Potsdam and the Topography of Terror museum are hosting a lecture series on the legacy of the Weimar Republic in German culture. Speakers include Sebastian Ullrich, Andreas Wirsching and Peter C. Caldwell.
On 9-10 November, the University of Oxford hosts the conference Make Revolution Great Again, exploring the social and intellectual context and legacy of the German Revolution.
The conference “seeks to re-examine the reception of the Revolution, as well as the Weimar Republic and the interwar period, across a range of disciplines, including but not limited to European history, intellectual history, political theory, and political science.
To commemorate the centenary of the German Revolution, the Staatsbibliothek Berlin has opened its archive of flyers, posters and special newspaper editions from November 1918 to the “Kapp-Putsch” in 1920.
The exhibition Druckerschwärze Roter Stern: Revolution an der Litfaßsäule focuses on five topics: the revolution in Berlin from November 1918 to January 1919, the revolution in Braunschweig in November 1918, the elections to the constitutional assembly in January 1919, the Munich Soviet Republic in April 1919, and the Kapp-Lüttwitz coup in March 1920.
The exhibition runs from 9 November – 15 December and is opened on 8 November with a lecture by Mark Will Jones, author of Founding Weimar: Violence and the German Revolution of 1918-19.