The success of Michel Hazanavicius’s The Artist (peaking at the Oscars last Sunday) has not only drawn popular attention to 1920s fashion, but – as The New Yorker argues in its recent issue – might also initiate a revival for the silent films of the Weimar era.
OpenEdition suggests that you cite this post as follows:
Jochen Hung (March 1, 2012). ‘The Artist’ sparks silent film revival. Weimar Studies Network. Retrieved January 14, 2025 from https://doi.org/10.58079/vbjh