In reading popular films of the Weimar Republic as candid commentaries on Jewish acculturation, Ofer Ashkenazi’s Weimar Film and Modern Jewish Identity ‘provides an alternative context for a re-evaluation of the infamous “German-Jewish symbiosis” before the rise of Nazism, as well as a new framework for the understanding of the German “national” film in the years leading to Hitler’s regime.’
OpenEdition suggests that you cite this post as follows:
Jochen Hung (May 15, 2014). Weimar Film and Jewish Identity. Weimar Studies Network. Retrieved January 18, 2025 from https://doi.org/10.58079/vbmi